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I started to make these sculptures out of cardboard box material to satisfy my need to make a three dimensional form. I wanted to build a form, shape that could be interesting to look at and at the same time would not represent anything in the sense of a subject. In these pictures the cardboard sculptures are presented as a solo form but in a bigger scale I want to make a composition as if it was an abstract painting. The fascination for these forms origin in the fact that i collect tiny boxes and packing material. Most of the time I unfold them and study their forms as if it were patterns of clothing. By making small adjustments in the shape, by cutting it, building it with other parts, glueing it together again, another form starts to reappear and they begin to speak for itself.
Sculptured boxes, Different sizes, August Robin Peters, 03/2019, Cardboard, Acryl paint.These photo collages are a study of form and an inspiration for sculptural works. I have a fascination for the shapes, size and rhythm of these beautiful rhododendrons. To me they can also be enjoyed just for what they are. One of many important structures of bedding that shape the environment which we live in or spaces we pass through, especially parks. By using these photo’s in a collage manner of working, I was able to move them just the way I wanted. Will be continued….
Group show of graduation class of Nieuwe Akademie Utrecht at Loods6 in Amsterdam. Our End Exposition is opening today. Open from June 29 till Sunday of July. Come and visit us!
Design invitation; August Peters
These cut-out works on paper came as a result of a longing to bring simple forms and shapes together with a more picturesque background, cluster together as one group of forms in an imaginaire landscape. They could be a border of plants or architectural buildings or big stones.

Acryl on canvas covered with tule, shoe molds inside from cotton, paper and cement. 70×100 cm. August Robin Peters, September 2018

Gouache on paperboard on a wooden frame. 70x100cm August Robin Peters, september 2018

As a starting point I took a detail of a heavy tablecloth or carpet as shown often on paintings from 17th century, like a Vermeer for example. I’ve always loved the way in which the heavy carpet on these tables fall down the corner of the table and how it makes a sculptural form on the floor. Also the colorful pattern is important here, but more in a suggestive way that you see what is left over from the detailed design when it folds. The pattern of the tablecloth is more abstract and without figurative details.

The Girl, multiplex wood with ecocline and gesso. 30×40 cm August Robin Peters 2018

Reminisce landscape, 60×120 cm multiplex wood with ecocline, tule, acryl paint, driftwood and transparent coaster. August Robin Peters 2018