I started this work out of a unrecognasible stain, because of the first painting, which kept coming through, despite off layers of gesso and decided to let it be a starting point for this painting. The shape of an imaginary piece of exotic fruit came to mind. It became somewhat the root of this composition in which I felt it wanted to be flowing and organic. In this painting, paint is combined with collage and drawing, when you look close you can see it containes beads, ripped off cardboard and wooden parts. This work was send to an open call competition for the foundation villa Seurat in Paris. The competition had the theme ‘nature reasserts itself’
This second work, was made as a second part of the previous posted work titled; Lockdown part 1. It was originated during the semi lockdown in the fall of last year and has parallels with the situation in which it was created. It felt two sided, just like the pandemic in which we were set back from our daily life. The basics for the work were set by the first work and therefore it seemed easy to make another work. But just als the second period of lockdown it felt extra tough to maintain the concentration in the work and the need to be created. Although confusion and asking questions about creating work is not easy but at the end always good for making decisions.
This work received an honorable mention from galerie Biesenbach in Cologne during one of the ‘Open Calls’ for their online ‘Art Matters 2’ exhibition.
These pictures were shot on location, during filming my artworks for the short video ‘Lost in pandemie’ which you can see in the previous blog. Personally, I like the pictures so much that I wanted to show them in a solo blog. Just for the esthetics of the photo’s. To me they both capture the feeling of totally left and lost in a setting and on the other hand, they seems to immerse naturally in the environment of streets, concrete, building waste and other decors of outside settings. Pictures taken in may 2020.
I started to make these assemblages from februari 2020 until november 2020 using photographs of building waste in a container on the street. Finding a way to use these photo’s I first started with framing of the image. Most of them are blown out of proportion to find a new composition in which the origin in less obvious. Along with changing the cadre the context changes. It’s not just building waste anymore but more an abstract composition which make you see spaces within the picture. To make a layering and even to surprise myself in the assemblage, I added materials, such as found wood, plastic bottle mini sculptures or just pieces of different wooden slats, some new, some old. This all led to found works with lost materials.
Left in the corner top: ‘Conversation’ 2017/2020. Mixed media. Acryl on canvas, cardboard, acryl lacquer, wooden slats. 30x40x4cm. August Robin Peters.
Left in the corner bottom: ‘A night in Tunisia’ 2020. Mixed media. Wooden panel, cardboard, acryl lacquer, eco-line, sandpaper, wooden slats. 22x30x6cm. August Robin Peters.
Right: ‘Totem’ 2019. Mixed media. Cardboard, acryl lacquer, torn canvas, wooden frame. 30x40cm. August Robin Peters
Conversation and A night in Tunisia are currently on display on the exposition ‘Gevonden werk – Found work’ in the gallery of Cultura Ede, the Netherlands.
All works are for sale, please message me by mail if you’re interested. email@example.com
This little piece originally started as a water-colour experiment somewhere in 2015. Last year I started to work with unfinished pieces and tried to re-arrange the composition by tearing, cutting, adding all sorts of paper. To me it was kind of meditative to work on something completely different and very satisfying to work towards a defined and definitive form. I called it Atlantis. if you want you can see a hand rising from the water.
I started to make these sculptures out of cardboard box material to satisfy my need to make a three dimensional form. I wanted to build a form, shape that could be interesting to look at and at the same time would not represent anything in the sense of a subject. In these pictures the cardboard sculptures are presented as a solo form but in a bigger scale I want to make a composition as if it was an abstract painting. The fascination for these forms origin in the fact that i collect tiny boxes and packing material. Most of the time I unfold them and study their forms as if it were patterns of clothing. By making small adjustments in the shape, by cutting it, building it with other parts, glueing it together again, another form starts to reappear and they begin to speak for itself.