At the end of last summer 2020, when the temperature went to 30 degrees and more, it was too warm to work in my atelier, which is situated in an old building on the third floor where during the summer it is difficult to keep it cool. Therefore I started to work from my kitchen table at home where it was so much more comfortable. I bought some basic paint and brushes and began to make small works on cardboard packaging. These are the first two of the proces. During the day I saw these shades from street lanterns on the pavement and wanted them to paint them quite brutal on the cardboard canvas. It was also felt the urge to paint again for the and see where it would take me.
I started this work out of a unrecognasible stain, because of the first painting, which kept coming through, despite off layers of gesso and decided to let it be a starting point for this painting. The shape of an imaginary piece of exotic fruit came to mind. It became somewhat the root of this composition in which I felt it wanted to be flowing and organic. In this painting, paint is combined with collage and drawing, when you look close you can see it containes beads, ripped off cardboard and wooden parts. This work was send to an open call competition for the foundation villa Seurat in Paris. The competition had the theme ‘nature reasserts itself’
This second work, was made as a second part of the previous posted work titled; Lockdown part 1. It was originated during the semi lockdown in the fall of last year and has parallels with the situation in which it was created. It felt two sided, just like the pandemic in which we were set back from our daily life. The basics for the work were set by the first work and therefore it seemed easy to make another work. But just als the second period of lockdown it felt extra tough to maintain the concentration in the work and the need to be created. Although confusion and asking questions about creating work is not easy but at the end always good for making decisions.
This work received an honorable mention from galerie Biesenbach in Cologne during one of the ‘Open Calls’ for their online ‘Art Matters 2’ exhibition.
Two people totally entwined in each other. The work was started by sketches before the pandemie in august 2019, but stayed with me the whole time, trying to find a way to get this image transferred on canvas in the best possible way. During the first lock down the theme began to mean so much more to me. We almost forget it now, but nearly a year ago there were thoughts and fears about not being to able to touch each other. Your precious ones surrounding you. Not able, but wishing to hold. An almost unthinkable scenario became reality. The work was selected twice for a groups exhibition with the theme, Covid-19. Back to the proces of the work. Eventual, after a whole lot searching through sketches on paper and gouaches, I used an older, never finished work and painted the most essential parts of the image on canvas. This is the result. Which also shows me reaching for a wish to paint. Which I want to do a lot more.
The painting was both selected for the exhibitions ‘En Nu’ in Podium voor Hedendaagse Kunst ‘Pictura in Dordrecht from 2/8 till 16/8/2020 and For the current exhibition ‘Corona én de verkoop’ in Tekenlievend genootschap Pictura in Groningen from 11/3 till 11/4 2021
A year ago from now this work was selected for a new art project in Otterlo, called galerie2020. Each month a different work is on display from a different artist. 12 months, 12 artists. For me the honour to do the the kick-off on 31 december 2019 to be the first on display during the month of January 2020. The vitrine galerie project is curated by Marian Mijnhardt and can be followed on http://www.galerie2020.nl
During the month of January 2020 several visitors came by to look at my work.
‘The Gift’ is a landscape mostly made of wood in combination with a piece of lost driftwoord which I found on the Lido in Venice, some years earlier. A picture I took in the national park The Everglades in Florida USA inspired me and was the starting point for this composition. Other materials I used are eco-line, acryl-paint and lacquer, green tule and an old coaster to make this composition. To me it represents the reminiscence of different places that you visit during traveling and about making connections between those very different parts of the world. It is about dreaming a world and how you can make your own interpretation of a composed world and reality you have actually seen. In this case a travel to Venice and Florida ended up in a landscape with a more Asian feel to it. To me that is ‘The Gift’
Later that year the work was sold and has found a new home where it is appreciated very much.
Left in the corner top: ‘Conversation’ 2017/2020. Mixed media. Acryl on canvas, cardboard, acryl lacquer, wooden slats. 30x40x4cm. August Robin Peters.
Left in the corner bottom: ‘A night in Tunisia’ 2020. Mixed media. Wooden panel, cardboard, acryl lacquer, eco-line, sandpaper, wooden slats. 22x30x6cm. August Robin Peters.
Right: ‘Totem’ 2019. Mixed media. Cardboard, acryl lacquer, torn canvas, wooden frame. 30x40cm. August Robin Peters
Conversation and A night in Tunisia are currently on display on the exposition ‘Gevonden werk – Found work’ in the gallery of Cultura Ede, the Netherlands.
All works are for sale, please message me by mail if you’re interested. email@example.com
These works were exhibited at my end expo in Loods6 Amsterdam of the NAU (Nieuwe Akademie Utrecht) in juli last year. It was a selection of works I made in the last couple of months before the expo. NAU is an art course I followed for 5 years together with 10 other artists we graduated, started with somewhat 35 starters in the first year. But with a lot of hard work, persistence, searching, studying and defining your subject and having the joy of wanting to create art it has been as much as a trigger point to let go what i already knew as a starting point for me to develop my work for the future.
I started to make these sculptures out of cardboard box material to satisfy my need to make a three dimensional form. I wanted to build a form, shape that could be interesting to look at and at the same time would not represent anything in the sense of a subject. In these pictures the cardboard sculptures are presented as a solo form but in a bigger scale I want to make a composition as if it was an abstract painting. The fascination for these forms origin in the fact that i collect tiny boxes and packing material. Most of the time I unfold them and study their forms as if it were patterns of clothing. By making small adjustments in the shape, by cutting it, building it with other parts, glueing it together again, another form starts to reappear and they begin to speak for itself.