I started this work out of a unrecognasible stain, because of the first painting, which kept coming through, despite off layers of gesso and decided to let it be a starting point for this painting. The shape of an imaginary piece of exotic fruit came to mind. It became somewhat the root of this composition in which I felt it wanted to be flowing and organic. In this painting, paint is combined with collage and drawing, when you look close you can see it containes beads, ripped off cardboard and wooden parts. This work was send to an open call competition for the foundation villa Seurat in Paris. The competition had the theme ‘nature reasserts itself’
This second work, was made as a second part of the previous posted work titled; Lockdown part 1. It was originated during the semi lockdown in the fall of last year and has parallels with the situation in which it was created. It felt two sided, just like the pandemic in which we were set back from our daily life. The basics for the work were set by the first work and therefore it seemed easy to make another work. But just als the second period of lockdown it felt extra tough to maintain the concentration in the work and the need to be created. Although confusion and asking questions about creating work is not easy but at the end always good for making decisions.
This work received an honorable mention from galerie Biesenbach in Cologne during one of the ‘Open Calls’ for their online ‘Art Matters 2’ exhibition.
These pictures were shot on location, during filming my artworks for the short video ‘Lost in pandemie’ which you can see in the previous blog. Personally, I like the pictures so much that I wanted to show them in a solo blog. Just for the esthetics of the photo’s. To me they both capture the feeling of totally left and lost in a setting and on the other hand, they seems to immerse naturally in the environment of streets, concrete, building waste and other decors of outside settings. Pictures taken in may 2020.
Last year three of my works were selected for the Festival de Artes Lanzarote & Fuerteventura 2020. Initiated by The Lacuna Studio’s in Lanzarote. The theme of the festival was Lost. Because of the COVID 19 pandemie it was not possible to exhibit the works for real. Instead of a physical presentation the organisation decided to transfer the exhibition into a digital art festival. Lacuna studio’s asked participating artists to think about activities around the festival. Because my works could not be presented for real, I decided to film my works in an lost enviroment during the first lockdown in The Netherlands. My artworks were placed in various situations around the street where I live, but they seem kind of lost. Lost in the silence of the pandemie, empty streets, quiet trainstations, people passing by without noticing the artworks. Because of the work is made with lost and found materials it seemed appropiate to use this setting. I even made a real presentation of 4 works on a deserted wall in back garden of a house nearby which was uninhabited at the time. For a moment it felt like a real art presentation. The video was posted on the YouTube canal of the ‘Lost’ festival by The lacuna studios.
I started to make these assemblages from februari 2020 until november 2020 using photographs of building waste in a container on the street. Finding a way to use these photo’s I first started with framing of the image. Most of them are blown out of proportion to find a new composition in which the origin in less obvious. Along with changing the cadre the context changes. It’s not just building waste anymore but more an abstract composition which make you see spaces within the picture. To make a layering and even to surprise myself in the assemblage, I added materials, such as found wood, plastic bottle mini sculptures or just pieces of different wooden slats, some new, some old. This all led to found works with lost materials.
Left in the corner top: ‘Conversation’ 2017/2020. Mixed media. Acryl on canvas, cardboard, acryl lacquer, wooden slats. 30x40x4cm. August Robin Peters.
Left in the corner bottom: ‘A night in Tunisia’ 2020. Mixed media. Wooden panel, cardboard, acryl lacquer, eco-line, sandpaper, wooden slats. 22x30x6cm. August Robin Peters.
Right: ‘Totem’ 2019. Mixed media. Cardboard, acryl lacquer, torn canvas, wooden frame. 30x40cm. August Robin Peters
Conversation and A night in Tunisia are currently on display on the exposition ‘Gevonden werk – Found work’ in the gallery of Cultura Ede, the Netherlands.
All works are for sale, please message me by mail if you’re interested. firstname.lastname@example.org
This little piece originally started as a water-colour experiment somewhere in 2015. Last year I started to work with unfinished pieces and tried to re-arrange the composition by tearing, cutting, adding all sorts of paper. To me it was kind of meditative to work on something completely different and very satisfying to work towards a defined and definitive form. I called it Atlantis. if you want you can see a hand rising from the water.
These works were exhibited at my end expo in Loods6 Amsterdam of the NAU (Nieuwe Akademie Utrecht) in juli last year. It was a selection of works I made in the last couple of months before the expo. NAU is an art course I followed for 5 years together with 10 other artists we graduated, started with somewhat 35 starters in the first year. But with a lot of hard work, persistence, searching, studying and defining your subject and having the joy of wanting to create art it has been as much as a trigger point to let go what i already knew as a starting point for me to develop my work for the future.