
Berg en meer
Landscape, Beeldende Kunst, Art on paper, Contemporary Art



In kunstencentrum K38 is vanaf zaterdag 11 april de expositie ‘Hoofd in de wolken’ te zien. Georganiseerd door Verkuno. Deelnemende kunstenaars van dit collectief zijn gevraagd een reflectie te geven op dit thema en enkele gast kunstenaars zijn middels een open call geselecteerd om mee te doen. Mijn hangende papieren sculptuur ‘News cloud’ (2025) werd geselecteerd en is daar te midden van alle andere werken te zien tot en met 10 mei 2026. Kanaalstraat 38, Roden.
Open van woensdag t/m zondag van 13.00 tot 17.00 uur. http://www.kunstencentrumk38.nl


From 4 march till 4 april 2026 my work will be shown at the Gatekeepers lodge located at the Haddingestraat 26 in Groningen. For the duration of one month I was given the opportunity to make a presentation case with my work. For this occasion I have chosen to give the triptych ‘Morning in Dorsoduro’ a central place and with that work in mind I was inspired to make seven new works, which are directly related from the work ‘Morning in Dorsoduro’. The new works are abstract objects representing all sorts of windows, shutters, and a peace of cloth hanging out of a window. The lights are on from 11.00 till 23.00.






You can also visit the website of the portiersloge Groningen where you can read a text which I wrote about this project, the link is https://www.portiersloge-groningen.nl/2026/03/03/august-robin-peters/



Van 25 januari t/m 8 maart 2026 wordt de Wintersalon georganiseerd door Pictura Groningen aan de St.Walburgstraat 1. De expositie met werk van ongeveer 30 kunstenaars is te bezoeken op woensdag t/m zondag van 13.00 tot 17.00. Deze onderstaande twee werken van mij zijn geselecteerd en daar te zien. De expositie is met één week verlengd tot en met 15 maart.






Over the next few months (until May 3, 2026), my work “Tender Weight” will be on display at the MOW Museum in Bellingwolde as part of the exhibition “Loki, Lives and Loves of a Master Painter” (Lodewijk Karel Bruckman 1903-1995).
Along with a display of over 40 works from the MOW Museum’s permanent collection by the magical realist painter Bruckman, 14 interpretations of his work and world, created by 14 selected artists, will also be on display. I drew inspiration from his still life paintings, use of color, and subject matter, which often contain symbolism about life and death, growth and stagnation.

During the creative process, it became increasingly clear to me that there were many similarities between Bruckman’s still lifes and my own work and working method, which I hadn’t initially recognized. This was particularly evident in his use of everyday objects, his creation from nothing, and the surreal quality of his compositions. They have been an inspiration to me. I have taken to heart the motto “From what perishes, something new always arises.”
In my “painting,” I have also literally incorporated the past by working on an old tea towel, which I have had in my possession for a very long time and which eventually ended up in my studio as a paint cloth. Now, it has become the medium for my composition, mixed with new residual materials, such as the melted fruit nets. Brought together, the elements—such as the fruit-like shapes and the wooden frame, the feathers, and personal treasures (spoon and brush)—interpret the works of “Loki,” and it has also become a personal work with my signature.







August Robin Peters – 2025 – Mixed media – 34 x 29 x 2,5 cm.
Collage made of bits and pieces of older work combined with new parts, some used materials are: Vinyl from my earlier atelier floor, tear-out parts of a painting on paper, cut-out piece of a painted canvas, pink wooden part from a children’s toy, found on the street.
This summer my work ‘Choose your words’ is selected for and part of the exhibition: Refresh Amsterdam #3: Imagine the future, to be seen in the Amsterdam Museum at the Amstel 51, Amsterdam until 30th november 2025
I was asked to think about a wish for the future to create or generate a more harmonious environment in which we all live and have to deal with eachothers behavior. My reaction to this question happened quite instinctively and I came up with this protest about using language more carefully.



If you want to know more about this exhibition and vote for the ‘publics award prize’ you can visit this website. https://www.amsterdammuseum.nl/topic/toekomstwensen/bijdrage/221394-geen-achteloos-gebruik-van-f-ck Here you can read more about my motivation and see work from other participants to this exhibition and eventually vote for your favorite! Thank You for your vote.









Landscape of tolerance originated from the desire to create a spatial representation. In the research, shapes were created that remain abstract but want to be figurative. When is an object accepted as a representation? Shapes are enlarged, stacked and hung loosely in space. The painting on cardboard were created by chance out of left-overs. Organized in a patch work manner and directed into a abstract form. Newspapers are painted; some fragments dissapear, other receive attention. The paper is stacked with news which become part of the layering and can not be seen as neutral anymore. Newspapers are sewn together, the thread makes the construction visable. The stacked boxes balance but take up space and hold their ground. Have we entered the setting of a play, with players about to enter the stage?