These works on paper (left over cardboard) were made in the first period of the lockdown in march of 2020. Staying inside the house most of the time at my temporarily different home than my own and due to the early sunny weather in the spring of 2020, I focused more on the things that surrounded me in my new home and very small balcony. The shadow of flowers and plants made a very sharp contour, every late afternoon when I drank my coffee on the balcony I saw these black contours on the wall and I decided to draw them very quickly. These three works are sort of a pilot around the idea of drawing shadows and I plan to make much more of them. It’s such nice thing to do something completely different…
These pictures were shot on location, during filming my artworks for the short video ‘Lost in pandemie’ which you can see in the previous blog. Personally, I like the pictures so much that I wanted to show them in a solo blog. Just for the esthetics of the photo’s. To me they both capture the feeling of totally left and lost in a setting and on the other hand, they seems to immerse naturally in the environment of streets, concrete, building waste and other decors of outside settings. Pictures taken in may 2020.
Last year three of my works were selected for the Festival de Artes Lanzarote & Fuerteventura 2020. Initiated by The Lacuna Studio’s in Lanzarote. The theme of the festival was Lost. Because of the COVID 19 pandemie it was not possible to exhibit the works for real. Instead of a physical presentation the organisation decided to transfer the exhibition into a digital art festival. Lacuna studio’s asked participating artists to think about activities around the festival. Because my works could not be presented for real, I decided to film my works in an lost enviroment during the first lockdown in The Netherlands. My artworks were placed in various situations around the street where I live, but they seem kind of lost. Lost in the silence of the pandemie, empty streets, quiet trainstations, people passing by without noticing the artworks. Because of the work is made with lost and found materials it seemed appropiate to use this setting. I even made a real presentation of 4 works on a deserted wall in back garden of a house nearby which was uninhabited at the time. For a moment it felt like a real art presentation. The video was posted on the YouTube canal of the ‘Lost’ festival by The lacuna studios.
A year ago from now this work was selected for a new art project in Otterlo, called galerie2020. Each month a different work is on display from a different artist. 12 months, 12 artists. For me the honour to do the the kick-off on 31 december 2019 to be the first on display during the month of January 2020. The vitrine galerie project is curated by Marian Mijnhardt and can be followed on http://www.galerie2020.nl
During the month of January 2020 several visitors came by to look at my work.
‘The Gift’ is a landscape mostly made of wood in combination with a piece of lost driftwoord which I found on the Lido in Venice, some years earlier. A picture I took in the national park The Everglades in Florida USA inspired me and was the starting point for this composition. Other materials I used are eco-line, acryl-paint and lacquer, green tule and an old coaster to make this composition. To me it represents the reminiscence of different places that you visit during traveling and about making connections between those very different parts of the world. It is about dreaming a world and how you can make your own interpretation of a composed world and reality you have actually seen. In this case a travel to Venice and Florida ended up in a landscape with a more Asian feel to it. To me that is ‘The Gift’
Later that year the work was sold and has found a new home where it is appreciated very much.
Left in the corner top: ‘Conversation’ 2017/2020. Mixed media. Acryl on canvas, cardboard, acryl lacquer, wooden slats. 30x40x4cm. August Robin Peters.
Left in the corner bottom: ‘A night in Tunisia’ 2020. Mixed media. Wooden panel, cardboard, acryl lacquer, eco-line, sandpaper, wooden slats. 22x30x6cm. August Robin Peters.
Right: ‘Totem’ 2019. Mixed media. Cardboard, acryl lacquer, torn canvas, wooden frame. 30x40cm. August Robin Peters
Conversation and A night in Tunisia are currently on display on the exposition ‘Gevonden werk – Found work’ in the gallery of Cultura Ede, the Netherlands.
All works are for sale, please message me by mail if you’re interested. firstname.lastname@example.org
Two new works. I started to pick up left over pieces op paper, which were partley on the floor, combining them with other paper related materials. it became a collage with layering, cutting away parts I didn’t like. Adding paint or cut-out parts of packaging, left-over parts of wooden sticks, a shopping bag from Salisbury, sandpaper, cardboard shoe mold. Sometimes i even made up stuff which look like they belong in the image. To me it’s controlled chaos, in the end its harmony, but still with a rhythm….
This little piece originally started as a water-colour experiment somewhere in 2015. Last year I started to work with unfinished pieces and tried to re-arrange the composition by tearing, cutting, adding all sorts of paper. To me it was kind of meditative to work on something completely different and very satisfying to work towards a defined and definitive form. I called it Atlantis. if you want you can see a hand rising from the water.
Here are some pictures of my first series of sculptured cardboard boxes, build up in a composition. You can look at these installations as if you were looking at an abstract painting with different colors and dimensions. When you walk around they give a different sight depending on the way you look at them. To me that was something that was an extra gift, when I put the individually made forms together as one image. There is so much more to do with it, the possibilities are endless, like a lego set of stones.
I started to make these sculptures out of cardboard box material to satisfy my need to make a three dimensional form. I wanted to build a form, shape that could be interesting to look at and at the same time would not represent anything in the sense of a subject. In these pictures the cardboard sculptures are presented as a solo form but in a bigger scale I want to make a composition as if it was an abstract painting. The fascination for these forms origin in the fact that i collect tiny boxes and packing material. Most of the time I unfold them and study their forms as if it were patterns of clothing. By making small adjustments in the shape, by cutting it, building it with other parts, glueing it together again, another form starts to reappear and they begin to speak for itself.