These pictures were shot on location, during filming my artworks for the short video ‘Lost in pandemie’ which you can see in the previous blog. Personally, I like the pictures so much that I wanted to show them in a solo blog. Just for the esthetics of the photo’s. To me they both capture the feeling of totally left and lost in a setting and on the other hand, they seems to immerse naturally in the environment of streets, concrete, building waste and other decors of outside settings. Pictures taken in may 2020.
I started to make these assemblages from februari 2020 until november 2020 using photographs of building waste in a container on the street. Finding a way to use these photo’s I first started with framing of the image. Most of them are blown out of proportion to find a new composition in which the origin in less obvious. Along with changing the cadre the context changes. It’s not just building waste anymore but more an abstract composition which make you see spaces within the picture. To make a layering and even to surprise myself in the assemblage, I added materials, such as found wood, plastic bottle mini sculptures or just pieces of different wooden slats, some new, some old. This all led to found works with lost materials.
A year ago from now this work was selected for a new art project in Otterlo, called galerie2020. Each month a different work is on display from a different artist. 12 months, 12 artists. For me the honour to do the the kick-off on 31 december 2019 to be the first on display during the month of January 2020. The vitrine galerie project is curated by Marian Mijnhardt and can be followed on http://www.galerie2020.nl
During the month of January 2020 several visitors came by to look at my work.
‘The Gift’ is a landscape mostly made of wood in combination with a piece of lost driftwoord which I found on the Lido in Venice, some years earlier. A picture I took in the national park The Everglades in Florida USA inspired me and was the starting point for this composition. Other materials I used are eco-line, acryl-paint and lacquer, green tule and an old coaster to make this composition. To me it represents the reminiscence of different places that you visit during traveling and about making connections between those very different parts of the world. It is about dreaming a world and how you can make your own interpretation of a composed world and reality you have actually seen. In this case a travel to Venice and Florida ended up in a landscape with a more Asian feel to it. To me that is ‘The Gift’
Later that year the work was sold and has found a new home where it is appreciated very much.
These works were exhibited at my end expo in Loods6 Amsterdam of the NAU (Nieuwe Akademie Utrecht) in juli last year. It was a selection of works I made in the last couple of months before the expo. NAU is an art course I followed for 5 years together with 10 other artists we graduated, started with somewhat 35 starters in the first year. But with a lot of hard work, persistence, searching, studying and defining your subject and having the joy of wanting to create art it has been as much as a trigger point to let go what i already knew as a starting point for me to develop my work for the future.
I started to make these sculptures out of cardboard box material to satisfy my need to make a three dimensional form. I wanted to build a form, shape that could be interesting to look at and at the same time would not represent anything in the sense of a subject. In these pictures the cardboard sculptures are presented as a solo form but in a bigger scale I want to make a composition as if it was an abstract painting. The fascination for these forms origin in the fact that i collect tiny boxes and packing material. Most of the time I unfold them and study their forms as if it were patterns of clothing. By making small adjustments in the shape, by cutting it, building it with other parts, glueing it together again, another form starts to reappear and they begin to speak for itself.
As a starting point I took a detail of a heavy tablecloth or carpet as shown often on paintings from 17th century, like a Vermeer for example. I’ve always loved the way in which the heavy carpet on these tables fall down the corner of the table and how it makes a sculptural form on the floor. Also the colorful pattern is important here, but more in a suggestive way that you see what is left over from the detailed design when it folds. The pattern of the tablecloth is more abstract and without figurative details.
Several works coming from one composition made with different kind of boxes. From a flat work on paper with paint, through a combination with digital approach into a two dimensional work on paper and a three dimensional work in mixed media, where the actual boxes are placed into a bigger box.
With the digital version I could enter a more graphic and sharper background than possible with paint. Which made me realize the importance of the composition and the scale of the items shown. If you make some parts smaller or bigger, the rest-space-changes and sometimes makes the composition weaker or stronger.
Rests-space take an important role, as you can see in the most abstract version painted on wood. The forms become more important and with less details. Beside the fact that they change form and become something on their own. The originally tea boxes and other packaging material also become an interesting form to look at. On one hand they are flat and have, at the same time the illusion of a dimensional form. The playing between flat and non flat keeps me occupied and fascinated.