







This summer my work ‘Choose your words’ is selected for and part of the exhibition: Refresh Amsterdam #3: Imagine the future, to be seen in the Amsterdam Museum at the Amstel 51, Amsterdam until 30th november 2025
I was asked to think about a wish for the future to create or generate a more harmonious environment in which we all live and have to deal with eachothers behavior. My reaction to this question happened quite instinctively and I came up with this protest about using language more carefully.



If you want to know more about this exhibition and vote for the ‘publics award prize’ you can visit this website. https://www.amsterdammuseum.nl/topic/toekomstwensen/bijdrage/221394-geen-achteloos-gebruik-van-f-ck Here you can read more about my motivation and see work from other participants to this exhibition and eventually vote for your favorite! Thank You for your vote.









Landscape of tolerance originated from the desire to create a spatial representation. In the research, shapes were created that remain abstract but want to be figurative. When is an object accepted as a representation? Shapes are enlarged, stacked and hung loosely in space. The painting on cardboard were created by chance out of left-overs. Organized in a patch work manner and directed into a abstract form. Newspapers are painted; some fragments dissapear, other receive attention. The paper is stacked with news which become part of the layering and can not be seen as neutral anymore. Newspapers are sewn together, the thread makes the construction visable. The stacked boxes balance but take up space and hold their ground. Have we entered the setting of a play, with players about to enter the stage?
For the project at the art centre Kel_30 in Haren, I worked on location at the exhibition space for more than 3 weeks at my art installation. The end result is now on display. The show is to be visited from 12.00 – 17.00 on saturday 31 may, sunday 1 June and saturday 7 June at ‘ Kel_30, part of the De Biotoop, Kerklaan 30 in Haren, Groningen.
The idea and challenge for me was to make a sculptural work in a experimental setting, which had to have the right size for the space provided. The starting point for me was to go from a 2 dimensional work into a 3 dimensional installation. Using my materials like cardboard and newspaper, wood and paint in the same collage-like way as I do in my normaly smaller sized works.

Here are some pictures of the making of….. A sneak preview of the end result which you can come and see for yourself.













This abstract artwork almost made itself, the only thing I did was to organize the order. Just like a piece of mosaic. Putting left-over cut-out cardboard strips. Which came from cutting off strips from another older painting on cardboard. By puzzling the pieces afther each other, I could play with the rhythm of the colors and forms/stains and at the same time take control. The image created is still abstract, but to me, it tends to give a little bit of a botanical feel to it, without actually being a figurative image of such.
It’s 09.34 in the morning on september 14th 2019 and I am looking out of the window of the apartment where I’m staying for a holiday in Venice. In front of me is this colorful patio in the neighbourhood of Dorsoduro.

I always wanted to do something with this picture, I love the big tree in the middle and the warm colors of the old houses with lots of windows and blinds. The purple cloth hanging to dry in the sun as a centre of the composition. The picture had something reassuring and soothing to me, as if it says: It’s ‘going to be a good day and everything is going to be allright. I took the idea to produce a puzzle out of this photo just for fun, to keep me occupied in pandemic times in 2020. After I actually had put together the puzzle, I began to think how I could make an artwork out of this image, using the puzzle pieces.
This is how it became a triptych because I started to separate certain parts en made three individual works out of it. It took me quite a while to get it right, because every work had to have the right amount of puzzle parts and the proportions had to be equally divided, so that each work was interesting enough to look at. I started somewhere in 2021 with three wooden panels but left them for years laying in my atelier and always wanted to finish them. I started to work on them again in september 2024 and here is the result. I worked in my usual way of combining painting with collage, using parts of paper, cardboard and other materials.











Link to the art auction on the website of PK50 : https://50pk.nl/veiling/
Link to website Galerie2020 : https://www.galerie2020.nl/
