Landscape of tolerance

Art exhibition, Beeldende Kunst, Contemporary Art, Dutch Contemporain Artist, installation art, Landscape, Paper Art, Video
Installation for the project ‘Go your own way’ at Kunstruimte Kel-30, Biotoop – Haren ‘Landscape of tolerance’ – August Robin Peters – 2025

Landscape of tolerance originated from the desire to create a spatial representation. In the research, shapes were created that remain abstract but want to be figurative. When is an object accepted as a representation? Shapes are enlarged, stacked and hung loosely in space. The painting on cardboard were created by chance out of left-overs. Organized in a patch work manner and directed into a abstract form. Newspapers are painted; some fragments dissapear, other receive attention. The paper is stacked with news which become part of the layering and can not be seen as neutral anymore. Newspapers are sewn together, the thread makes the construction visable. The stacked boxes balance but take up space and hold their ground. Have we entered the setting of a play, with players about to enter the stage?

It’s only mountains (and the sea)

Art, Beeldende Kunst, Contemporary Art, Landscape, Painting

Preparing a day at the park…

These are studies for making a big size work that I wanted to realize for my participation at the colorfield performance in the summer of ’23. My goal was to make a colorful minimal work with abstract organic shapes and round forms. This idea of these round dots came from my sketches in which I just started to draw stains with colour until it became a form which satisfied me as such. There is still a lot more of experimenting to do with that. For the painting which I had to realize in one day at the project, it had to be recognizable as a landscape but somewhat in between abstract and figurative. How far can you go with abstraction en what do you accept as a recognizable form?

Flowers

Art, Art on paper, Beeldende Kunst, Contemporary, Contemporary Art, Drawings, Dutch Contemporain Artist, Stil Life

These works on paper (left over cardboard) were made in the first period of the lockdown in march of 2020. Staying inside the house most of the time at my temporarily different home than my own and due to the early sunny weather in the spring of 2020, I focused more on the things that surrounded me in my new home and very small balcony. The shadow of flowers and plants made a very sharp contour, every late afternoon when I drank my coffee on the balcony I saw these black contours on the wall and I decided to draw them very quickly. These three works are sort of a pilot around the idea of drawing shadows and I plan to make much more of them. It’s such nice thing to do something completely different…